How Does Williams Present the Themes of Illusion and Fantasy in a Streetcar Named Desire?

How does Williams present the shanks of invocation and conceive of in A tramway Named Desire? The theme of ingenuousness vs. fondness is one that the play centres around. Blanche dwells in illusion fantasise is her primary nitty-gritty of self-defence, both against outside threats and against her own demons. Throughout the play, Blanches dependence on illusion is contrasted with Stanleys steadfast realism, and in the end it is Stanley and his worldview that win. To survive, Stella must also resort to a diverseness of illusion, forcing herself to believe that Blanches accusations against Stanley are false so that she can bear upon living with her husband.One of the main ways Williams dramatises fantasys unfitness to overcome reality is through an exploration of the boundary between outside(prenominal) and intimate. The punctuate includes the two-room Kowalski apartment and the surrounding street. Williams use of a flexible set that allows the street to be seen at the same time as the interior of the home expresses the idea that the home is not a trust of safety. The characters drop dead alone and enter the apartment throughout the play, often bringing with them the problems they encounter outside.For example, Blanche refuses to leave her prejudices against the working class behind her at the door. The most notable spokesperson of this effect occurs just before Stanley rapes Blanche, when the back wall of the apartment becomes coherent to show the struggles occurring on the street, foreshadowing the violation that is rough to take place in the Kowalskis home. Blanche is the most fascinating character in A Streetcar Named Desire. One reason for this is that she has an absolutely brilliant way of reservation reality seem standardised fantasy, and making fantasy seem like reality.This element of Blanches personality is what makes her character interest the audience and contribute to the virtuousness of the work. Returning to the beginning of th e play, Blanche, shocked with thedirtinessand gloominess of Stella and Stanleys home in New Orleans, looks out thewindow and says Out there I pretend is the ghoul-haunted woodland of Weir , to which Stella replies No honey, those are the L and N tracks. Blanche would assume that something so common and simple as noisy, dark railroad tracks might as well be ghoul-haunted woodlands. Further evidence of Blanches belie view of reality and fantasy is shown throughout the entire play. She seems to hint to Stella and Stanley, and thence the audience, that she is actually much more than she seems. In sceneseven, Blanche soaks in a tub, singing Say, its solely a paper moon, sailing over a cardboard ocean -But it wouldnt be make-believe If you believed in me Its a Barnum and Bailey world, Just as fake as it can be -But it wouldnt be make-believe If you believed in me As she sings this song, telling the story of her tendency to believe a more pleasant, warped view of reality over the ac tual reality, Stanley is telling Stella the horrifying equity about Blanches scandalous past. These lyrics sum up Blanches approach to life. She believes that her delusion is only her means of enjoying a better way of life and is therefore essentially harmless. In scene nine, Blanche is confronted by Mitch, who has learned the truth about her past. Mitch tells Blanche that he has never seen her in the sort out.He tears Blanches paper lantern sullen of the plain, bright light bulb, and tries to see her as she really is, and not in a view warped by Blanches efforts to make herself seem more innocent, young, andbeautifulthan she is. Blanche responds to this by saying I dont expect realism. I want magic I try to give that to people. I misinterpret things to them. I dont tell truth, I tell what ought to be truth Dont turn the light on This intense, frightening scene reveals to the audience the way Blanche views the world.Tennessee Williams use of this kind of dual view of the world to develop Blanches character is a absolute example of the way A Streetcar Named Desire makes the audience counterbalance to the characters in the play. The use of light and dark links to the key theme of fantasy and reality. The light is the truth, and this is what Blanche always tries to cover up. Stanley wants the truth so rips out any protection Blanche hides behind, for example the paper lantern over the naked bulb. The Streetcar light that always shines through the window, is trying to uncover the truth so Blanche ides away whenever it drives by, A locomotive is heard approaching outside. She claps her hands to her ears and crouches over. In conclusion, the reviewer of A Streetcar Named Desire is not only entertain by an interesting story when they read the play. They are also parkway into a reality which is not their own, yet somehow seems familiar. This realistic fantasy Williams creates with his brilliant use of symbolism, intriguing characters, and involving action in the play causes the reader to connect fully with the setting, characters, conflicts, and emotions within it.