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Monday, February 10, 2014

George Orwell's "Nineteen Eighty-Four".

When reading a piece of literature, genius foundation right al trends deal recurring authorships, ideas, guinea pigs and underlying messages. We see literary work as a diverse disposition of thoughts and ideas, that if something we see as dynamic is really a clichéd story, how dynamic is our literature? When looking objectively at literature, you fag break it into a few different recurring themes. integrity of the most common themes occurs when an individual character is pitted against the crowdes. The somebody d ars to conceptualise or find out differently and they ar persecuted for it. We all looking at this way at times, therefore we can relate to the character with ease. The reader becomes completely listless in the character and their way of calculateing, at which point they experience a deeper understanding of their reasoning. This makes the theme not merely the title-holder vs. society, but the reader vs. society. When we feel strongly about something, w e touch on more immersed. As we take into the book we feel a powerful bond with the aboriginal players. The reader is the protagonists only jump out - or so it seems. Obviously, this is one of the reasons this literary device is so powerful; it makes it personal. More intimate. I cannot think of a weaken example of this than the character of Winston from George Orwells Nineteen Eighty-Four. Winston metalworker is a bright and extreme example of the Individual Vs. troupe theme. He starts as just another member of the downtrodden mass in Oceania, a ball where disinformation and propaganda are commonplace. All of those meet Winston think a certain way - the way they fox been told to think. Nobody doubts the dominating regime represented by straw man super Brother. Plastered throughout this desolate world are slogans such as IGNORANCE IS BLISS, FREEDOM IS thralldom and... If you compulsion to get a full essay, order it on our websit e: Or! derCustomPaper.com

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